AWARDS

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Best Lighting Design for Monty Python's SPAMALOT - 2014 - BroadwayWorld New Jersey

REVIEWS

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“The lighting of Benjamin Weill accents the comedic, sentimental, and dramatic moments played out on the deck of the ironically named ship.”

— BroadwayWorld.com, Off-Off Broadway -- HMS PINAFORE, The New York Gilbert and Sullivan Players

“Sets, costumes and visages all look extremely well under Mr. Benjamin Weill’s deftly handled lighting and all unite to give a sort of picture-book aspect that is most appealing.
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— Moshe Bloxenheim, Broadway Kingdom -- THE MIKADO, New York Gilbert and Sullivan Players

“Benjamin Weill’s lighting used a generous color palette for the operetta’s various acts.”

— TheaterScene.net -- PRINCESS IDA, New York Gilbert and Sullivan Players

“......Costumes and Benjamin Weill’s lighting are also top-notch.”

— The Epoch Times -- RUDDIGORE, New York Gilbert and Sullivan Players

“Lighting Designer Benjamin Weill did a fine job blending the hours from daylight into sunset, and finally, the moon and stars.”

— DC Metro Arts -- THE PIRATES OF PENZANCE, The New York Gilbert and Sullivan Players

“Everyone was beautiful, which is a great thing to be if you’re performing light, happy music, and Benjamin Weill’s excellent lighting made the most of every scene. ”

— Pubsbooks.com -- IOLANTHE, New York Gilbert and Sullivan Players

“The lighting, by Benjamin Weill, may be the best I’ve ever seen at Surflight.”

— The Sand Paper -- LES MISERABLES, Surflight Theatre

“....skillfully utilizing footlights and cross lighting to cast eerie shadows - some extending onto the auditorium walls”

— Broadwayworld.com -- JEKYLL & HYDE, Surflight Theatre